If last week’s mysterious Mass Effect: Universe trailer leak wasn’t painful enough for you in the wake of BioWare’s sudden closure, we’ve gotten yet another taste of The Game That Could Have Been, this time courtesy of award-winning video game composer Austin Wintory.
Known for his beautiful and haunting soundtracks for games like Flow, Journey, ABZÛ, Aliens: Fireteam Elite, Sword of The Sea, John Wick Hex, and Hades II, Wintory was also evidently working on the Mass Effect: Universe soundtrack. From the sounds of things, EA and the now-defunct BioWare were considering having Wintory produce the game’s OST. And thanks to Wintory, we at least know what the game might have sounded like.
“Mass Effect was my ultimate white whale, my all-time dream project,” Wintory wrote in a post on Bluesky. “For the last couple years I’d been in discussion with BioWare & EA to take on the project, and as part of that, I wrote close to 20 minutes of music to explore where the franchise can go next. May as well share it!”
Wintory shared the music alongside an image that reads, “Mass Effect: Universe, the music that might have been.”
“So here you go,” Wintory added in a follow-up post linking to a YouTube upload of the test-run tracks. “Thank you again to my friends at both BioWare and EA. To even dream in your sandbox was a privilege.”
The video features 20 minutes of Wintory’s experimental score, featuring seven unique tracks and one remix. Text displayed within the video itself also reveals more about the nature of Wintory’s talks with EA and BioWare, along with his inspiration for the soundtrack.
“In 2007, when the credits rolled on my first playthrough of Mass Effect, I remember calling a friend and saying, ‘I can’t believe I already know this will be among my favorite all-time games.’ Usually, it takes the passage of time before we can be so sure something truly belongs to the ages, but in this case, the confidence was instantaneous,” Wintory wrote. “This trilogy is my most-cherished gaming experience of my lifetime, and as a professional composer, represented my most sought-after ‘White Whale.’ For me, there is no greater dream project to be part of.”
According to Wintory, nothing had been finalized yet, but both EA and BioWare seemed eager to get him on board. So Wintory, in all his love for the franchise, cooked up a little surprise for the Mass Effect: Universe team.
“For the past several years, I’d been in dialogue with people both at BioWare and EA to potentially jump into Mass Effect 5,” Wintory explained. “As part of those conversations, I decided to surprise the team by writing/recording a giant love letter to the franchise, with my idea of where it can go next. When I wrote this (in 2025), I knew nothing of what they were planning, so this was a bit narratively speculative. The concept was a direct homage to Jack Wall and Sam Hulick’s incredible work on the first game, while leaning even harder on true analog synths, and a more complex integration of the orchestra (almost akin to the hybrid nature of The Matrix).”
While it seems that Mass Effect: Universe will never see the light of day, at least we have the beautiful soundtrack-that-could-have been, for what looked to be an equally beautiful game.
